josef albers
Josef Albers in America: Painting on Paper, at the Morgan, “provides insight into Albers’ working process and, in contrast with the strict geometry of his final paintings, is remarkable for its freedom and sensuality.”
Josef Albers in America: Painting on Paper, at the Morgan, “provides insight into Albers’ working process and, in contrast with the strict geometry of his final paintings, is remarkable for its freedom and sensuality.”
Into the Woods, a group show at ClampArt, “brings together work by a wide-range of artists all employing lens-based technologies who have found inspiration in the natural world.”
Tatzu Nishi: Discovering Columbus, commissioned by the Public Art Fund, “recontextualizes the historical monument at the center of Columbus Circle, placing it in the middle of a contemporary living room, six stories above the street.” photograph by Marcus Yam
Mark Grotjahn’s show at Gagosian opens September 13.
The Hateful Years, Mark Flood’s show at Luxembourg & Dayan, “examines the vapor trails of culturally exsanguinated people, places and objects in order to take the measure of culture.”
Luc Claus’s show at envoy enterprises runs through September 10.
Regarding Warhol: Fifty Artists, Sixty Years, at the Met, opens September 18.
Jim Marshall’s show at Steven Kasher features “over 60 photographs and one-hundred vintage record covers mapping Marshall’s entire career and introduces never-before-seen images he captured during the Rolling Stones’ 1972 U.S. tour.”
Untitled: A Painting in Four Parts, 1963-1964, Robert Ryman’s show at Gagosian, “explores the nuanced effects of acrylic paint on aluminum.”
Rineke Dijkstra: A Retrospective, at the Guggenheim, offers “a contemporary take on the genre of portraiture.”