Neon, Glenn Ligon’s show at Luhring Augustine, is “the first exhibition that brings together a significant number of his neon works, many of which have never before been exhibited in New York.”

Trisha Baga’s show at Greene Naftali flows ” between the moving image, distinct three-dimensionality, and a flirtation with the history of two-dimensional practice.”

The Young Collectors Exhibition, a group show I am in at Leila Heller Gallery, opens December 18.

David Salle’s show at the Lever House “features six large-scale paintings inspired by allegorical scenes from antiquity.”

Richard Deacon’s show at Marian Goodman features “new works which highlight Deacon’s virtuosity with materials and his recent investigations into volume, surface and seriality.”

Between Friends, at Moeller Fine Art, highlights the friendships forged between painters in the 1940s.

Self Storage, Ryan Johnson’s first exhibition with The Suzanne Geiss Company, features “a structured installation of representational sculptures made from a variety of materials including wood, medical casting tape and sheet metal.”

In If Wishes Were Fishes, Barnaby Furnas’s show at Marianne Boesky, Furnas “again tackles epic historic and religious iconography, this time drawing from both the lore of Melville’s Moby Dick, as well as Jonah’s flight from God that lands him in the belly of the whale.”

Elie Nadelman’s show at June Kelly “reflects his artistic innovations in pre-World War I Paris and his observations of American life and society after his arrival here.”

In PALATE, Gina Beavers’s show at Clifton Benevento, Beavers “appropriates photographs of food from social media and images taken by friends or acquaintances to create works querying notions of taste.”