The Park, Erik Benson’s show at Arsenal Gallery, opens May 2.

And Riding Clouds, at Rooster, runs through June 9.

Guest of a Guest gives a nice mention to And Riding Clouds, opening April 25.

Local Color, Anthony Campuzano’s show at Churner and Churner, “considers questions of doubling and distance, not only by repeating the act of drawing the same image but also by remaking several key works from his past.”

Risa Shoup, Associate Director of The Invisible Dog Art Center in Brooklyn, is the curator of 1, 2, 3, 4, a show at Gallery 200 in DUMBO featuring two CCNY MFA students and two CCNY MFA alums that “responds to the shared experience of producing work in the institution that links them all together.”

Richard Serra’s show at David Zwirner features work from 1966 to 1971 that “represents the beginning of the artist’s innovative, process-oriented experiments with nontraditional materials.”

David Diao’s show at Postmasters, the final show at the space’s Chelsea location, “questions how value is assigned to art and artists.”

Rochelle Feinstein’s show at Higher Pictures explores how “specific vocabularies might influence the understanding of broader socio-cultural issues.”

On April 20th Mão Morta will present a live performance of their limited edition vinyl record that was recorded in collaboration with Tiago Estrada’s “The Wall of Pleasure,” currently on view at Rooster Gallery. The concert promises to be pleasantly chaotic, as if “Isidore Ducasse met Hugo Ball and Guy Débord.”