Julie Mehretu’s show at
Marian Goodman consists of “a series of new paintings as well as a suite of five new etchings.”
Alex Hubbard’s show at
Maccarone consists of “seven new “bent paintings”, pigmented urethane casts of a single trash painting which the artist contorts into sculpture in seven different ways.”
Out of Memory, at
Marianne Boesky, “brings together a diverse group of internationally based artists, who mirror the attitudes, rituals and compulsivity of the post-digital generation’s unprecedented access to an infinite database.”
Erin Shirreff’s show at
Lisa Cooley “explores the effect of mediation on our experience of form.”
Original Mad Man, Bert Stern’s show at
Staley-Wise Gallery, features “the full sweep of his remarkable career.”
Alexi Worth’s show at
DC Moore features “large images of private and public subjects: solitary smokers, wine-drinkers, crumpled texts, and crowds of protesters in damaged cities.”
Blinky Palermo’s show at
David Zwirner “has been organized in collaboration with the Palermo Archive on the occasion of the 70th anniversary of the artist’s birth.”
I Followed You To The Sun, Tracy Emin’s show at
Lehmann Maupin, is a “two-part exhibition featuring over 100 works of art, including a series of new bronze sculptures, paintings and drawings, embroideries, and a short film.”
Mark di Suvero’s show at
Paula Cooper consists of “an assemblage of intersecting l-beams and carved kinetic spirals.”