Maja Bajević’s show at the
CUNY Graduate Center “looks at political voice through performance and music in public space.”
Gordon Parks: A Harlem Family 1967, at the
Studio Museum in Harlem, “honors the legacy and the work of late iconic artist and photojournalist.”
David Shirgley’s show at
Anton Kern consists of “a large black gong sculpture positioned in the center of the gallery surrounded by a variety of signs, such as flags, scrolls and banners, neon and cast bronze texts.”
Untitled (disambiguation), Jacob Kassay’s show at
The Kitchen, “engages the specific spatial properties of the gallery and building, seeking to affect and augment one’s experience of the room by attending to the shifting visual field and a variety of supports.”
David Humphrey’s show at
Fredericks & Freiser consists of “imagined worlds where boundaries between psychological interior, physical urges, and familiar settings fall away.”
Giorgio Griffa’s show at
Casey Kaplan is “the first solo exhibition of the artist’s work in New York since 1970, as well as his first in the United States since 1973.”
Platinum/Palladium Photographs, George Tice’s show at
Nailya Alexander Gallery, consists of “sixteen 20 x 24 inch photographs, taken between 1969 and 2003.”