Queens College Art Center presents The Evil Eye, a show based on the belief that “an evil eye can cause injury or bad luck for the person at whom it is directed.”
Tom Thayer’s show at Derek Eller opens April 27.
New Paintings, Brice Marden’s show at Matthew Marks, consists of, among other pieces, “fifteen new paintings in oil on marble, which Marden completed last year on the Greek island of Hydra.”
The Gilbert & George shows at Lehmann Maupin open April 26th.
Decades, Fred Sandback’s show at David Zwirner, consists of “a selection of important sculptures and drawings spanning the years 1969 to 2000.”
Dustin Yellin’s show at Half Gallery “includes an exclusively monochromatic perspective blending Futurism with the proto-cinematic.”
I was recently introduced to the work of Alina Szapocznikow.
Caio Fonseca’s new work at Paul Kasmin features “irreducible forms in precise architecture that belie their apparent rigor.”
Catherine Lee’s work at Galerie Lelong marks “the passage of time through vigorous, repetitive brushstrokes.”
Nerve Ending, Enrico David’s show at Michael Werner, closes April 21.