Glenn Ligon: AMERICA, “the first comprehensive mid-career retrospective devoted to this pioneering New York–based artist,” features almost one hundred paintings, prints, photography, drawings, and sculptural installations. See it before it closes June 5.
New York University’s Institute of Fine Arts presents Photo Archives and the Photographic Memory of Art History, the “third in an ongoing series of conferences that investigate the role of photographic archives and collections in art historical studies.” More information may be found here, and registration is open now.
Cy Twombly, arguably one of the greatest living painters, has always flown a bit under the radar. The MoMA did not own a single piece until his 1994 retrospective. Their recent acquisition helps remedy the situation by bringing two more paintings and seven sculptures into their collection, which now consists of “seminal paintings across the breadth of his career.”
Pat Steir’s show at Cheim & Read is a continuation of her “dripped, splashed and poured ‘waterfall’ paintings which she first started in the late 1980s.”
Walking Through Walls, Gary Baseman’s exhibit at Jonathan LeVine Gallery, “explores the maturation of objective childlike naivety into the subjective adult understanding of absolute beliefs in ideals such as truth, love, hope, faith, fate and responsibility.”
Marcel Dzama is back at David Zwirner with a show featuring “the artist’s film, A Game of Chess, alongside related drawings, sculptures,and dioramas.”
For his show “nothingtoodooterencekoh” at Mary Boone, Terence Koh softly circles a 45 ton mountain of rock salt while on his knees.
The Scope Art Show, the “largest and most global art fair in the world,” is this weekend.
The Art Show, the Art Dealers Association of of America’s “longest running national art fair,” is this weekend.
PULSE Contemporary Art Fair, which “serves as the junction between central and satellite art fairs,” is this weekend.