anicka yi
SOUS-VIDE, Anicka Yi’s show at 47 Canal, is “a forage into the time of the wolf, a time when people are pets, mauve, driftwood, a loud shirt. Where gourmet consumers, or “diet human beings”, slough off into a forest of doppelgängers.”
SOUS-VIDE, Anicka Yi’s show at 47 Canal, is “a forage into the time of the wolf, a time when people are pets, mauve, driftwood, a loud shirt. Where gourmet consumers, or “diet human beings”, slough off into a forest of doppelgängers.”
RAW, a show curated by Adam Waymouth that features several of my paintings, opens tonight at Pertwee, Anderson & Gold in London.
Invitation to the Voyage, a group show at Algus Greenspon, features “Romantic, Symbolist and Pre-Raphaelite painting, drawing, photography and sculpture set alongside work by contemporary artists.”
At his show at Tanya Bonakdar, Haim Steinbach continues to “raise everyday objects to the level of art.”
Vik Muniz’s show at Sikkema Jenkins features pieces created from scraps of paper collaged together that, when seen from a distance, resemble famous works from the history of art.
Nick Cave’s exhibitions For Now and Ever-After, at Mary Boone and Jack Shainman, feature his iconic Soundsuits, sculptural forms that “camouflage and amplify the body, creating an exuberant second skin that conceals race, gender, and class.”