andrew moore
Andrew Moore’s photographs at the Queens Museum of Art show the ruins of Detroit after the collapse of the auto industry.
Andrew Moore’s photographs at the Queens Museum of Art show the ruins of Detroit after the collapse of the auto industry.
David Smith’s show at the Whitney “offers new insights into the artist’s career-long involvement with geometric forms.”
The Dead Sea Scrolls are on view at Discovery Times Square.
The Bard Graduate Center will host its annual Holiday Book Sale at the Bard Graduate Center Gallery December 15-18.
Damien Hirst’s The Complete Spot Paintings takes over Gagosian on January 12.
Francis Picabia’s show at Michael Werner focuses on work from “the mid-1930s through the 1940s and beyond, a time when Picabia experimented not only with a range of imagery but with the methods and materials of painting itself.”
Daniel Gordon’s show at WALLSPACE closes December 17.
Matthew Brannon’s show at Casey Kaplan suggests “various props, personas, sets, dialogues, and scenarios of an unpublished noir mystery narrative.”
For her debut show at Salon 94, Betty Woodman “presents her monumental Roman Fresco / Places and Pleasures, originally created for and exhibited at the American Academy in Rome, Italy in 2010.”
left, Suzanne McClelland’s show at Sue Scott Gallery, “continues to investigate the space between script and physical gesture, making and unmaking what’s left in the air after action or speech.”