Erika Vogt’s show at the
New Museum consists of “a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.”
The Cut, Antony’s current show at
Sikkema Jenkins, “originates in personal experience yet also addresses universal artistic or social ideas and poetically suggests the healing potential of art.”
Imran Qureshi’s commission for the roof of
the Met “responds to both the surrounding view and the history of the building.”
XTRACTION, a group show at
The Hole, looks at “new approaches in abstract painting.”
On the Beach 2.0, Richard Misrach’s show at
Pace/MacGill, documents “the sea’s changes in color and energy, as well as the humans who enter the ocean’s immensity.”
At War with the Obvious, William Eggleston’s show at
the Met, “celebrates the artist’s iconic photographs of commonplace subjects that have become touchstones for generations of artists, musicians, and filmmakers.”
The James Turrell show at the
Guggenheim, opening June 21, promises to be this summer’s must-see.
The Albert York show at
Davis and Langdale consists of “24 paintings borrowed from private collections, dating from 1963 until 1990.”