Arne Svenson’s show at
Julie Saul consists of photographs he secretly took of his neighbors, in an attempt to “capture unadulterated representations of humankind.”
Anselm Kiefer’s show at
Gagosian “further explores the historical and formal concerns of “Morgenthau Plan,” his exhibition that inaugurated Gagosian Le Bourget in Paris last October.”
The Last Panda, Rob Pruitt’s show at
Gavin Brown, “exploits the problematic tension of artistic invention threatened with imminent cultural extinction.”
Jeff Koons’ show at
David Zwirner consists of “the world debut of a new series of sculptures.”
Julie Mehretu’s show at
Marian Goodman consists of “a series of new paintings as well as a suite of five new etchings.”
Alex Hubbard’s show at
Maccarone consists of “seven new “bent paintings”, pigmented urethane casts of a single trash painting which the artist contorts into sculpture in seven different ways.”
Out of Memory, at
Marianne Boesky, “brings together a diverse group of internationally based artists, who mirror the attitudes, rituals and compulsivity of the post-digital generation’s unprecedented access to an infinite database.”
Erin Shirreff’s show at
Lisa Cooley “explores the effect of mediation on our experience of form.”