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Original Mad Man, Bert Stern’s show at Staley-Wise Gallery, features “the full sweep of his remarkable career.”

Alexi Worth’s show at DC Moore features “large images of private and public subjects: solitary smokers, wine-drinkers, crumpled texts, and crowds of protesters in damaged cities.”

Blinky Palermo’s show at David Zwirner “has been organized in collaboration with the Palermo Archive on the occasion of the 70th anniversary of the artist’s birth.”

I Followed You To The Sun, Tracy Emin’s show at Lehmann Maupin, is a “two-part exhibition featuring over 100 works of art, including a series of new bronze sculptures, paintings and drawings, embroideries, and a short film.”

Mark di Suvero’s show at Paula Cooper consists of “an assemblage of intersecting l-beams and carved kinetic spirals.”

Human Nature, Ugo Rondione’s project for the Public Art Fund at Rockefeller Center, includes “nine colossal stone figures, standing like ancient sentries along the full length of Rockefeller Plaza between 49th and 50th Streets.”

Elizabeth Peyton’s show at Michael Werner brings together many of her pieces of the artist Klara Liden.

Body Double, at Craig F. Starr Gallery, compares the work of Jasper Johns and Bruce Nauman through “body consciousness, conceptual dash, and the color gray.”

Grant Cornett’s photographs at Picture Farm in Brooklyn “shift contexts gracefully between fictional illustration, editorial, and advertising, into the exhibition space of a gallery.”

Self Portraits, Robert Mapplethorpe’s show at Skarstedt, features eleven photographs that are “intensely personal and self-reflexive.”