the event of a thread, Ann Hamilton’s show at the
Park Avenue Armory, “draws together readings, sound, and live events within a field of swings that together invite visitors to connect to the action of each other and the work itself.”
Paola Ferrario’s show at
Rick Wester Fine Art features “an intensely quixotic and obsessive catalogue of discarded, distended details painstakingly gathered like orphans amidst a crowd of clearer appeal.”
Henry Darger’s show at
Ricco Maresca “brings together highly celebrated landscapes by the self-taught artist.”
David LaChapelle’s show at
Paul Kasmin “addresses the fleeting nature of humanity, fame, celebrity and power.”
In Color, Fred Herzog’s show at
Laurence Miller, “further expands the appreciation of the innovative and early color photographs made by this Vancouver resident.”
Artist’s Choice: Trisha Donnelly, at the
MoMA, consists of “rarely seen 20th-century photographs, films, design items, architectural renderings, prints, drawings, paintings, and sculptures.”
Ed Ruscha’s show at
Gagosian “fully explores Ruscha’s obsession with books and language from the outset of his career.”
Neon, Glenn Ligon’s show at
Luhring Augustine, is “the first exhibition that brings together a significant number of his neon works, many of which have never before been exhibited in New York.”
