anish kapoor
Anish Kapoor’s show at Gladstone Gallery “demonstrates his ongoing exploration of the formal and conceptual framework that has informed his artistic practice for over three decades.”
Anish Kapoor’s show at Gladstone Gallery “demonstrates his ongoing exploration of the formal and conceptual framework that has informed his artistic practice for over three decades.”
Piano in the Rain, Dana Schutz’s show at Friedrich Petzel, uses “unstable narrative dilemmas as a springboard to paint and employ various characters.”
On Thursday, May 10th, Ondine Chavoya will discuss his contribution to the recent exhibition Asco: The Elite of the Obscure, at The City College of New York.
[Your Name Here]: The Ex-Libris and Image Making, at Yale University’s Robert B. Haas Family Arts Library, “examines both historic and modern examples of bookplates with a variety of motifs.”
On May 14th Avery Library at Columbia University presents its 8th Annual Recent Acquisitions, an event featuring a selection of highlights acquired throughout the year.
Queens College Art Center presents The Evil Eye, a show based on the belief that “an evil eye can cause injury or bad luck for the person at whom it is directed.”
Tom Thayer’s show at Derek Eller opens April 27.
New Paintings, Brice Marden’s show at Matthew Marks, consists of, among other pieces, “fifteen new paintings in oil on marble, which Marden completed last year on the Greek island of Hydra.”
The Gilbert & George shows at Lehmann Maupin open April 26th.
Decades, Fred Sandback’s show at David Zwirner, consists of “a selection of important sculptures and drawings spanning the years 1969 to 2000.”