jon kessler
The Blue Period, Jon Kessler’s show at Salon 94, consists of “kinetic machines, surveillance cameras, video monitors and life-size cardboard figures.”
The Blue Period, Jon Kessler’s show at Salon 94, consists of “kinetic machines, surveillance cameras, video monitors and life-size cardboard figures.”
Graham Durward’s work at Louis B. James “renders formally the intangibility and ephemerality of desire.”
Doug Wheeler’s SA MI 75 DZ NY 12 at David Zwirner “explores the materiality of light while emphasizing the viewer’s physical experience of infinite space.”
Terry Winters’ show at Matthew Marks “depicts forms inspired by mathematical concepts like tessellations and knot theory, as well as shapes from the natural and scientific worlds.”
The Last Two Years, at The Pace Gallery, focuses on Dubuffet’s final works.
Jordan Wolfson’s show at Alex Zachary Peter Currie runs through February 18.
Sergej Jensen’s show at Anton Kern features more of his processed mixed-medium fabrics.
Tony Cragg’s show at Marian Goodman features “recent sculptures in bronze, corten steel, wood, cast iron, and stone.”
Rashid Johnson’s show at Hauser & Wirth closes February 25.