damien hirst
Damien Hirst’s The Complete Spot Paintings takes over Gagosian on January 12.
Damien Hirst’s The Complete Spot Paintings takes over Gagosian on January 12.
Francis Picabia’s show at Michael Werner focuses on work from “the mid-1930s through the 1940s and beyond, a time when Picabia experimented not only with a range of imagery but with the methods and materials of painting itself.”
Daniel Gordon’s show at WALLSPACE closes December 17.
Matthew Brannon’s show at Casey Kaplan suggests “various props, personas, sets, dialogues, and scenarios of an unpublished noir mystery narrative.”
For her debut show at Salon 94, Betty Woodman “presents her monumental Roman Fresco / Places and Pleasures, originally created for and exhibited at the American Academy in Rome, Italy in 2010.”
left, Suzanne McClelland’s show at Sue Scott Gallery, “continues to investigate the space between script and physical gesture, making and unmaking what’s left in the air after action or speech.”
Howard Hodgkin’s work at Gagosian “is a presence that is sensed rather than apprehended, remaining resistant to interpretation, allusive, and fragmentary.”
Problem, Teresa Henriques’s show at Rooster Gallery, opens December 8.
Layer Current, a group show at Like the Spice Gallery, opens December 8.
Scopophilia, Nan Goldin’s show at Matthew Marks, “pairs her own autobiographical images with new photographs of paintings and sculpture from the Louvre’s collection.”