anicka yi
SOUS-VIDE, Anicka Yi’s show at 47 Canal, is “a forage into the time of the wolf, a time when people are pets, mauve, driftwood, a loud shirt. Where gourmet consumers, or “diet human beings”, slough off into a forest of doppelgängers.”
SOUS-VIDE, Anicka Yi’s show at 47 Canal, is “a forage into the time of the wolf, a time when people are pets, mauve, driftwood, a loud shirt. Where gourmet consumers, or “diet human beings”, slough off into a forest of doppelgängers.”
RAW, a show curated by Adam Waymouth that features several of my paintings, opens tonight at Pertwee, Anderson & Gold in London.
Invitation to the Voyage, a group show at Algus Greenspon, features “Romantic, Symbolist and Pre-Raphaelite painting, drawing, photography and sculpture set alongside work by contemporary artists.”
At his show at Tanya Bonakdar, Haim Steinbach continues to “raise everyday objects to the level of art.”
Vik Muniz’s show at Sikkema Jenkins features pieces created from scraps of paper collaged together that, when seen from a distance, resemble famous works from the history of art.
Nick Cave’s exhibitions For Now and Ever-After, at Mary Boone and Jack Shainman, feature his iconic Soundsuits, sculptural forms that “camouflage and amplify the body, creating an exuberant second skin that conceals race, gender, and class.”
On October 3 a performance entitled “Bow”, organized by artist Eric Clinton Anderson, will make plain the deification of financial institutions by bringing worship to the streets of lower Manhattan.
Early that morning, as the men of Goldman Sachs are arriving at their offices at 200 West Street, a call will ring out. Performers dispersed throughout the commuter crowds will line the sidewalk in front of the tower. As the day’s financial news is read over a loudspeaker in the manner of the Adhan (the Islamic call to prayer), the performers will bow to these exalted men as they enter their hallowed headquarters, carrying on their sacred work.
To become involved email bow(at)ericclintonanderson.com
On Friday, September 30, the Education department at The Frick is sponsoring a college night for undergraduate and graduate students during which the staff of the Reference Library will speak to students. The event is free with a valid school ID, but reservations are required. To RSVP, please e-mail edevents@frick.org.
The Brooklyn Museum presents Eva Hesse Spectres 1960, a “group of nineteen oil paintings created when Hesse was just twenty-four years old.”
Matthew Barney’s show at Gladstone features “his first major works produced from traditional sculptural and industrial metals such as iron, bronze, lead and copper.”