John Chamberlain’s show at Steven Kasher consists of “nine monumental photoworks, comprised of multiple eight-foot-high stretched canvas panels, each panel hosting a highly-processed and colorized panoramic photograph by the artist.”
Yutaka Sone’s show at David Zwirner features Little Manhattan, a three-foot-tall, nine-foot-long relief of the city carved out of pure white marble.
Erik Benson’s show at Edward Tyler Nahem “equally dazzles with light, understated humor and the need for inner and outer reassessment.”
In her “dazzle paintings” at Galerie Lelong, Jane Hammond “infuses the still image with a sense of flow, interactivity, and mutability.”
Susan Rothenberg’s show at Sperone Westwater “continues to challenge and extend painterly conventions with her spatial and distorted compositions.”
Gabriel Orozco’s show at Marian Goodman consists of two new bodies of work realized over the past four years.
Twenty of Agnes Martin’s grey paintings, which “concentrated on horizontal divisions of six-foot square canvases,” are reunited at The Pace Gallery.
If the Dylan show is not your thing, check out the Richard Serra, as Gagosian continues its run of museum-like shows.
Robert Rauschenberg: Photographs: 1949–1962 is an exhibition of 167 images taken by Rauschenberg, up now at the Robert Rauschenberg Foundation Project Space.
For his most recent series Pieter Hugo traveled to Accra, Ghana, “the site of a sprawling dump for technological waste from around the world.” The chilling work is on view at Yossi Milo through October 29.