elinor carucci
Born, Elinor Carucci’s show at Sasha Wolf Gallery, “concerns motherhood, including her pregnancy, the birth of her twins, and the pleasures and terrors of raising children.”
Born, Elinor Carucci’s show at Sasha Wolf Gallery, “concerns motherhood, including her pregnancy, the birth of her twins, and the pleasures and terrors of raising children.”
Benrimon Contemporary unveils its newly renovated space with Word Up!, a show featuring recent text-based work.
Salon Ciel presents Joseph Grazi’s Aggressive Nature, opening September 14 at the Gallery Bar.
I will be in a show at Pertwee, Anderson & Gold in London in October.
Ken Butler’s show at Sideshow in Brooklyn “further abstracts and transforms the human-figure-instrument-body iconography for which he is known by pushing it further into the realm of mechanical bio-structure and cybernetics.”
Brandon Friend and Emet Sosna have a show at Spattered Columns, a “nonprofit exhibition space dedicated to presenting work by outstanding New York City-based visual artists.”
Freedom from Want, Aaron Johnson’s show at Stux, is a “bold reflection on the decaying excesses of our insatiable culture.”
For Till Birth Do Us Part, Vered Sivan’s show at Rooster, a model lies on the floor covered with synthetic thread, by which spaces in relation to the body are redefined.
Barbara Gladstone kicks off the fall with an exhibition of new sculptures by Matthew Barney. DJED will consist of three large-scale pieces from his “Ancient Evenings” project which is “a site-specific opera in collaboration with Jonathan Bepler, and that is loosely based on Norman Mailer’s 1983 novel of the same title.” It opens September 17.